El Abanico
![]() See more of my works commissioned for the front page of the corresponding catalog at:http://www.artrbd.com/videos/abanicos/index.html |
Mis recientes trabajos
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My new Studies
Have a look at my new Studies series:
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Screen Lives of Matthew Pillsbury
Visit Screen Lives of Matthew Pillsbury![]() |
The world of David Maisel
Visit the interesting website of David Maisel![]() |
Sensitive Light
Visit Sensitive Light ,a wonderful website full of interesting works by Graham Jeffery. Take a look at the interesting smoke effects photographs. I came across this website from Photoshop Tips, Tricks And Tutorials ![]() |
KUDÁSZ GÁBOR ARION
Visit the wonderful work of
KUDÁSZ GÁBOR ARION photography ![]()
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Sean Kernan Studios
Sean Kernan Studios
Sofia Fararova's work
Visit the wonderful and poetic works of my friend Sofia Faranova in FAPS
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Pierre Gonnard
Visit Pierre Gonnord works![]() |
Doug Dubois
Visit the interesting work of Doug Dubois![]() |
Photosjlc
Visit this stupendous photo blog!![]() Photo by JLC. This work is copyrighted © Toutes les photographies restent la propriété de son (ses) auteur(s) ©JLC |
Mona Lisa Descending a Staircase
Mona Lisa Descending a Staircase |
The interesting world of Mark Tucker
Works by Mark Tucker![]() |
Photography of the Unexpected and Neglected Architecture
Jacob Carter
The inspiring work of JACOB CARTER
COASTS OF BRITAIN, FACING ATLANTIC OCEAN
SERIES 2006 © JACOB CARTER |
Caroline Shepard
JOAN KAUFMAN
![]() Joan Kaufman's work embodies aspects of sculpture, theatre, photography, and digital media. She works in series producing large format B/W photo-based images that blur the boundaries between illusion and reality. By creating constructed realities within theatre-like settings, her images are experienced as moments suspended in a larger unfolding narrative. Reference of this article : ART POST http://artpost.info/presscentral/detail.asp?pr_id=171 |
CAROL INEZ CHARNEY
![]() Visit her wonderful exhibition The goal of the body of work entitled Interior Landscape is to open a space for the viewer to experience an external, familiar landscape in an altered way-letting the eye tap into both a real world view and a personal, inner terrain. Beginning my career as an abstract painter, I progressively moved towards abstraction in my photography. In exploring different ways to photograph the landscape, I intuitively approached the work from a painter's point of view while abstractly composing in camera. My goal was to create visual tension while leveraging natural distortions within my compositions. The distortions act as a filter-allowing the viewer the choice of what to focus on-both internally and externally. By using the natural distortions present in our every day world-moisture on windows, swirling smoke, rising walls of mist-I transform the landscape into an unfamiliar world of concealment and uncertainty. This transformation evokes a painterly quality, while still retaining a connection to the realism inherent in photography. While focusing on the most minute details of these natural distortions, we generate a space for quiet contemplation-breaking old, rigid view patterns and allowing for a new external and internal vision to occur. By Carol Inez Charney |